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Archives for May 2014

The Ellie Caulkins Opera House + TEDxMileHigh

TEDxMileHigh would not exist without its partners, supporters, volunteers, and speakers. It could, however, exist without a physical space. Big ideas and deep communities do not require grand places to build, grow, transform, and accelerate. After all, there are thriving TEDx communities started in slums which produce big ideas and thoughtful conversation. That said, our event home, the Ellie Caulkins Opera House in the Denver Performing Arts Complex, is just that: our home. And we are proud to call it so. It is truly a world-class venue — both in its aesthetic characteristics and in its utility. The Ellie, as it’s colloquially known to Denverites, provides an exceptional and unique platform for both attendees and speakers to experience the ideating, creating, connecting, and sharing that takes place at TEDxMileHigh.

Originally called “The Municipal Auditorium,” the space was once the largest auditorium in America apart from Madison Square Garden in New York, completed in 1908 to host the Democratic National Convention.  Since, it has been steadily used for everything from basketball games to rodeos to concerts and even circuses.

Auditorium interior, 1929

After an extensive overhaul in the 1950s, the Municipal Auditorium was made to be a modern theatre. Since, it’s gone through a few renovations, the most extensive being the modern re-design in the early 2000s. Re-opened in 2005 after two years, the “Ellie,” as it’s more familiarly known by Denverites, was designed by Semple Brown Design PC of Denver and seats 2,225 people.  Semple Brown Design has been the driving force behind a number of iconic area buildings, including the Kitchen Denver, Denver Pavilions, Redline, Pura Vida, The Corner Office, Steubens, and the decade-long master plan overhaul of Denver’s Larimer Square.

Photo: Ron Pollard
On the Ellie, the team at Semple Brown Design and contractors PCL Construction gutted the interior and completely transformed the auditorium space. The acoustic performance of the main hall was the primary design factor in the choice of construction materials for PCL, as advised by acoustic expert Bob Mahoney of Boulder. The Ellie’s classic lyric design was inspired by famous opera houses around the world, including La Scala and the Royal Opera House at Covent Garden. Such a style places the focus on fantastic acoustics and visuals; in other words, every seat is the best seat in the house for each audience member. From architecture site Arch Daily:

Arriving in the lobby, one senses the volume of the space. The eye is drawn from the central entrances to the sides and the majestic sweep of the grand staircase. For practical reasons, this helps direct patrons to circulation points and services such as the main lobby bars and the restrooms. The curves of the space also create a sense of drama in the lobby. The architecture is designed to be timeless – there are no trendy colors. The finishes are really very simple and honest. The design team intended for the patron to be the person on show in the lobby.

The Ellie Caulkins Opera House features the Figaro System, individual screens at each seat that have the ability to translate the dialogue on stage in up to seven languages. The slope of the balconies toward the stage, the ziggurat walls on each side, the curves on the front of the side balconies and the vertical volume of the space are all designed to enhance the natural sound of the hall. Moveable walls within the orchestra pit adjust to the size of the orchestra and serve as sound reflectors, a design advance unique to this facility. All lines in the theatre direct one’s attention to the stage. The designers wanted to create a relationship between the performer and audience. The farthest seat in the hall is only 113 feet from the stage, twenty-four feet closer to the stage than in the old theatre.

There are, without a doubt, many people and influences that helped us get to where we are today, including our venue. The Ellie has been integral to our history and development. When TEDxMileHigh had its first flagship event in 2011, the Ellie opened its doors and has continued to welcome us every year for our events.

Photo: Semple Brown Design

The “D” in TED and TEDx stands for “design.” By housing our events in the Ellie, the design focus of our events becomes immediately apparent. Beyond the majesty and grandeur of the venue, the Ellie lends itself to an extremely pleasing aesthetic, and each of our speakers has the unique opportunity to stand before the audience on the same stage utilized by exceptional performers and organizations, including Opera Colorado. While TEDxMileHigh would exist simply with its powerful community, the venue is a magnificent testimony to what Colorado can produce for the greater good of its citizens (it was mostly publicly funded), and we are thankful to have the opportunity to enjoy its space, thoughtful design, and inspiration.

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All photos below courtesy Semple Brown Design and Ron Pollard:

Speaking at TEDxYouth@MileHigh: An Insider’s Perspective

TEDxYouth@MileHigh Speaker Nicole Garneau offered us some of her insight on her experience as a speaker at last month’s event.

I put on my headphones, took a good hard look in the floor to ceiling mirror of the dressing room I had holed myself up in at the Ellie Caulkins Opera House, pressed play (playlist title “Nikki Get Psyched Up”), and danced.  For an hour.

That was the lead up to my TEDx talk I gave at the TEDxYouth@Milehigh event in April 2014. It was the only way I could dispel the obscenely high levels of adrenaline I was barely able to manage and which were wreaking havoc on me (couldn’t eat, couldn’t sleep, and couldn’t think!). And then it was go time.

Bright lights blinded me as I appeared to interact with crowd, the 2,200 faces that I could not see but I hoped were engaged and excited about the story I was sharing. Could we prove fat was the sixth taste? We could try, with the right scientists, the right study participants and the right lab. Here and there I looked at the clock, but my brain could not process if I was on or wildly behind, so I kept calm and talked on. Then I hit the transition point of the talk to expose the biases around science itself—who scientists are, who has access to science, and how science itself is done. The crowd’s energy built and I could feel my passion rising to meet it. Together we could eliminate stereotypes and bring the community and their creativity to scientific discovery.  And then it was done.  I could hear people clapping and cheering, I remembered to stay on the red carpet “target” and to not to walk off stage until the emcee came back out. Next thing I know, I was offstage getting a high five from Jason, and my husband was there with open arms for a hug.

My brain fully stopped working at that point. Did I really just do that? Did I stay on script? Did I miss anything? How long will this adrenaline be messing up my brain?!? I’m pretty sure it didn’t start working again until I realized I was at my favorite neighborhood restaurant, sitting across from my husband as he toasted me in celebration. Shortly thereafter a savory plate of cast-iron salmon with parmesan polenta was placed in front of me. It was time to digest the day, literally with the food before me and figuratively as I tried to recall even giving my talk. Crazy.

I’m no stranger to giving presentations. In any given year I might speak to anywhere from 6,000 to 10,000 people at talks and events sponsored by the Museum and partners across the state and the country. Trust me when I say that hands down, this 12-minute TEDx talk was the hardest talk in my life.

When you are on stage, the time FLIES by! There is no room for hemming and hawing, reading the audience and redirecting, or even taking a tangent to tell an anecdote if it is not part of the original script. This means your story, key points, and take-home core message all need to be succinct and well-practiced … and yet, it also needs to be conversational and approachable. The word that comes to mind is curated. The talk was thoughtfully curated, and with practice the goal was to deliver in a way that looked (I hope) effortless.

Extra special thanks to Brené Brown #vunerabilityhangover for coining and describing exactly the rollercoaster I came off of when it was all said and done. Following dinner I was exhausted. I was barely able to stay awake to watch Harry Potter and the Deathly Hallows, Part II. Then it was time to actually sleep, and I couldn’t, and didn’t. My adrenaline didn’t come down for 48 long and distressful hours. It took me a while still to trust myself and allow myself to believe that it went well, that it went great actually. Sitting here now, I know that’s the case, and I hope that my story inspired the students in the audience, that it inspires even more folks out there on the World Wide Web, to trust themselves, to ignore the naysayers and to be brave and challenge the way things are done, in science and in life, to innovate.

Wednesdays on the Web: May 7th

A weekly round-up of innovation, social impact, and design news from around the web.

1. Backpacks With Outlets

GoPlug is a new Kickstarter project that is aiming to develop a new backpack with three-pronged outlets, effectively allowing you to travel and charge your devices at the same time.

2. Flooding in the Streets

Ever wonder what global cities would look like if they were flooded? World Under Water is a new website created by several agencies and organizations to show the possible effects of climate change on world sea levels.

3. Recycling Circuit Boards

In an effort to produce more sustainable technology, three British companies have developed 90% recyclable circuit boards. All you have to do is dunk them in hot water.

4. The Denver Foundation’s Arts Affinity Group

TEDxMileHigh’s financial sponsors at The Denver Foundation launched a new funding group called The Arts Affinity Group. AAG supports artistic and creative endeavors around Denver in meaningful ways.

5. A Preview of Denver’s Oh Heck Yeah

Oh, Heck Yeah is almost here, meaning downtown Denver will be transformed into an interactive video game. Here’s a preview of one of the games that participants will be playing next month.

6. Hot Dogs of the Future

Dog Haus is a new endeavor started by André Vener of Freiburg, Germany. After opening a successful restaurant in 2010, Vener is now expanding his operation to diners across the country.

7. Registration for Develop Denver 2014

Registration for Develop Denver 2014 is now open. Free to attend, this two-day gathering is much like TEDxMileHigh’s events; Denver’s makers, doers, shakers, and thinkers will be there envisioning a better future for our city.

8. Community-supported Art in Denver

The Boulder Museum of Contemporary Art partnered with Denver Botanic Gardens last year to create CSArt Colorado, a community-based arts organization that connects local artists with collectors.

9. Understanding Urban Design

Urban design has changed drastically in recent news. Are our brains catching up with it?

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